The Good The Bad and The Zugly // Terminalen

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The Good The Bad and The Zugly (GBZ) started out as the bastard children of the 90s Oslo punk scene – young souls who carried the torch after Turbonegro, Gluecifer and Anal Babes. They reminded us of a time when punk rock was a promise of infantile nihilism and pure, evil fun.

Now, after six studio albums and a decade of infamous live performances, the once virile Norwegians have crashed into the inevitable wagon train that is the Middle Ages. For any productive punk band, you would think this would spell certain death – drowning in self-pity, diaper changes, heteronormative male insecurity resulting from changing gender roles, mortgages, marriage and physical decay.

While much of this still rings true, it seems as if the pitch-black, satirical humor that has always characterized GBZ is only fueled by the bitterness growing within these five hemorrhoid-infested carcasses. The songs get faster, the riffs rougher, the vocals more desperate – and the song titles, for which GBZ has always been praised, are more apt and ridiculous than ever.